Tags :: Potterverse

POST

Fantastic Beasts: The Crimes of Grindelwald [video] (2018)

I swear I am not making any of this up. What else can I say?

REVIEW

Fantastic Beasts and Where to Find Them (2016)

The fact is, moving from the Harry Potter films to Fantastic Beasts feels a bit like moving from the original Star Wars trilogy to the Star Wars prequels.

POST

Harry Potter & the Deathly Hallows: Part 1 [video] (A Review in Verse)

Here’s my 30-second rhyming review of Harry Potter & the Deathly Hallows: Part 1.

REVIEW

Harry Potter and the Deathly Hallows: Part 2 (2011)

Here at last, in the final chapter, the Harry Potter franchise rouses itself toward something approaching greatness.

ARTICLE

Harry Potter’s Empire Strikes Back? Don’t Make Me Laugh

12 reasons why Deathly Hallows: Part 1 is no Empire Strikes Back … or even The Two Towers.

REVIEW

Harry Potter and the Deathly Hallows: Part 1 (2010)

The seventh Harry Potter movie, based on the seventh and final book, is here at last, yet the saga is not over. Extending their biggest cash cow of the millennium into next year, Warner Bros. has split Harry Potter and the Deathly Hallows in two, with Part 2 coming next year, almost a full decade after the series started.

ARTICLE

Harry Potter vs. the Pope?

To summarize: What we have is an informal, brief, obscurely worded opinion, in a private letter that may or may not have been written by Ratzinger himself, apparently declining to comment on a book that he may or may not have perused about a series of books he may or may not have ever laid eyes on.

REVIEW

Harry Potter and the Half-Blood Prince (2009)

Potter fans, whether they’ve kept up with the books or not, will find that the latest film continues the trajectories of recent installments — it’s darker, more tragic and more romantic — while setting the stage for the final battle, now planned for two movies.

REVIEW

Harry Potter and the Order of the Phoenix (2007)

The level of magical eye candy is noticeably lower than previous installments… On the other hand, Ron and Hermione, though probably short-changed compared to the book, are better used here than in the previous film. Best of all is Harry’s leading role in Dumbledore’s Army, marking a major advance in proactive engagement from a protagonist who for too much of the first four chapters has been largely passive.

REVIEW

Harry Potter and the Goblet of Fire (2005)

The fourth of seven projected films based on J. K. Rowling’s ongoing adventures of the boy wizard, Harry Potter and the Goblet of Fire represents the midpoint of the series and of Harry’s schooling at Hogwarts School of Wizardry and Witchcraft.

REVIEW

Harry Potter and the Prisoner of Azkaban (2004)

Where its predecessors felt a bit padded and overlong, The Prisoner of Azkaban feels incomplete and overly edited. If the first two films could easily have been tightened up by a half-hour or so, this one left me wishing for the first time that there were an “extended edition” DVD coming, as with the Lord of the Rings films.

REVIEW

Harry Potter and the Chamber of Secrets (2002)

Harry Potter is back, and in this second outing the stakes are higher, the themes darker, the Malfoys nastier, the action grander, the monsters scarier, the gross-outs ickier, the climax stronger, and the movie longer.

REVIEW

Harry Potter and the Sorcerer’s Stone (2001)

Fans of the books will be gratified by a warm rush of recognition at every turn. From the growing anticipation as the mysterious invitations to Harry at the Dursley’s begin their inexorable multiplication, to Robbie Coltrane’s comforting performance as the genial giant Hagrid, to the dazzling Hogwarts grounds, to the exhilarating speed and excitement of Quidditch, the book’s main pleasures have been expertly realized.

ARTICLE

Harry Potter vs. Gandalf

What defines morally acceptable use of good magic in fiction? Where, and how, do we draw the line? How do we distinguish the truly worthwhile (Tolkien and Lewis), the basically harmless (Glinda, Cinderella’s fairy godmother), and the problematic or objectionable (“Buffy,” The Craft)? And where on this continuum does Harry Potter really fall?