Search Results

95 records found

ARTICLE

Auf Wiedersehen! Stay tuned!

It was a busy summer season; it wasn’t a terribly good summer season — above all for family audiences, who were left almost completely out in the cold. Still, it was generally an improvement on last summer, particularly for popcorn spectacle and action.

REVIEW

Australia (2008)

Much like Scorsese’s Gangs of New York, it’s a film that has been long labored over, and the artist’s love of the material is clear, but the inspiration has been lost along the way and the characters reduced to cartoony types.

Avatar REVIEW

Avatar (2009)

James Cameron’s Avatar is a virtual apotheosis of Hollywood mythopoeia. It is the whole worldview and memory of contemporary Hollywood, given shape in a narrative and pictoral form that is stunning in its finality and grandeur. It is like everything and there is nothing like it.

POST

Avatar and Religion Redux

Last week Peter Chattaway blogged an essay on Avatar and religion originally written for Anglican Planet (which is an awesome name for an Anglican periodical on so many levels, although I know nothing else about it).

<i>Avatar</i> and the Meaning of Life POST

Avatar and the Meaning of Life

Was I wrong to contend, as I did recently in a response to a reader, that “Unlike Star Wars and The Matrix, Avatar doesn’t strike me as a film likely to burrow deep into the collective consciousness”? A recent story at CNN.com, “Audiences Experience ‘Avatar’ Blues,” at least raises questions about that assessment.

POST

Avatar, the Golden Globes … and the Vatican

See my latest at NCRegister.com on “Avatar, the Golden Globes … and the Vatican.” (I’ll be blogging more here at Decent Films starting next week … I’m still emerging from the New Year crunch!)

<em>Avatar: The Way of Water</em> is everything James Cameron wants movies to be ARTICLE

Avatar: The Way of Water is everything James Cameron wants movies to be

“A glorified South America” was one of the odder dismissive takes on Pandora, the alien world of the Na’vi in James Cameron’s Avatar, that I heard when the movie was in theaters. After all, who in their right mind wouldn’t want to see a glorified South America?

POST

Avatar: What the Vatican Really Said

A priest friend, frustrated by dodgy media coverage, recently sent me his own translation of the entire L’Osservatore Romano review, as well as of a segment that ran of Vatican Radio.

The Avengers REVIEW

The Avengers (2012)

If The Avengers isn’t necessarily the best superhero movie ever made, it is unquestionably the most superhero movie ever made — and, in that capacity, it is more than well-made enough to take comic-book entertainment to unprecedented levels.

POST

The Avengers [video]

The Avengers in 60 seconds: my “Reel Faith” review.

Avengers: Age of Ultron REVIEW

Avengers: Age of Ultron (2015)

The first word of dialogue spoken by an Avenger in Avengers: Age of Ultron, from Iron Man (Robert Downey Jr.), is a rude expletive. The second word, from Captain America (Chris Evans), is a mild rebuke. In two words of dialogue, writer-director Joss Whedon gives us characterization, conflict and theme.

Avengers: Endgame REVIEW

Avengers: Endgame (2019)

Running just over three hours long, Avengers: Endgame builds to a denouement with a valedictory air akin to the last act of Peter Jackson’s similarly sprawling The Return of the King, except that it comes at the end of 22 movies instead of three movies.

Avengers: Infinity War REVIEW

Avengers: Infinity War (2018)

Six years ago I described The Avengers as “awesomeness squared”; Infinity War strives with all its might for awesomeness cubed and even tesseracted. It wants to leave you texting your friends “MIND. BLOWN.” It might succeed — but there’s a catch.

REVIEW

The Aviator (2004)

You can almost feel Martin Scorsese exorcising the specter of Gangs of New York in the first act of The Aviator, another leisurely two-hour, forty-five-minute exercise in lavish period Americana starring Leonardo DiCaprio.

REVIEW

The Awful Truth (1937)

One should be rooting for Cary Grant to get the girl, which means he ought to deserve her — and if that’s more or less the case here, well, it’s only because the girl turns out to be no great shakes either.