(Co-written with Suzanne E. Greydanus) Based on a long-unfinished project dating to the New-Age / ultra-PC heyday of Disney’s ’90s renaissance, Brother Bear outdoes even Pocahontas and Atlantis: The Lost Empire with its New-Age mysticism and eco-spirituality gospel message.
Theologically speaking, the question was absurd and meaningless; but the answer, I think, contained profound insight. God is both the source and the goal of our being, the meaning as well as the master of our lives. Imagine reality without God, and life becomes meaningless; imagine divine omnipotence at the disposal of anything other than divine love, and existence becomes infinite horror.
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Pre-DecentFilms capsule review
Kon Ichikawa’s deeply humane, spiritually resonant masterpiece The Burmese Harp is routinely but reductionistically described as “pacifist” or “anti-war,” though in fact war is merely the occasion for the story’s theme, not the theme itself. That theme is nothing less than the intractable mystery of suffering and evil, an affirmation of spiritual values, and the challenge to live humanely in evil circumstances.
Burn After Reading reminds me a little of the Darwin Awards. It’s morbidly absurdist, thoroughly pointless, and can certainly be funny at times, even acutely so, with a freakish bathos that can be hard to look away from. But if you don’t feel a little queasy for laughing, and perhaps you should, you might at least feel bothered that someone wanted to put the whole thing together for your amusement.
Near the end comes a moment when Alexandre is asked whether he still believes in God. The scene cuts from a complex reaction shot, the question left unanswered. The point, I think, is neither to affirm faith nor to deny it, but to highlight the stakes. By their action or inaction Church leaders make God more credible or less credible, instill faith or shatter it.
Copyright © 2000– Steven D. Greydanus. All rights reserved.