Search Results
94 records found
What’s Up, Doc? (1972)
Yet where Hepburn’s character was merely flighty, Judy Maxwell exists, like the Cat in the Hat and Bugs Bunny (note the title line and the carrots she munches in one scene), in the mode of the Trickster archetype, with inscrutable motives, capricious behavior, and almost preternatural abilities, capable of whimsically making Bannister’s life a living nightmare — or putting things to rights again at a moment’s notice.
When and where can I watch “Reel Faith”?
During our summer season and our holiday mini-season, “Reel Faith” debuts on Fridays at 8:00 PM Eastern on New Evangelization Television (NET TV), with encore airings throughout the week.
When the Game Stands Tall
Sports movies love underdogs scrapping their way to the top. When the Game Stands Tall is about what happens when a ridiculously successful team finally stumbles.
Where are Hollywood’s good Catholic characters?
Here is a sobering question: Has there been a single substantial, positive depiction of Catholic faith or identity in a major Hollywood non-horror film in the last 10 or 15 years?
Where have you gone, Gregory Peck?
Last weekend saw a lopsided box-office collision of two very different types of action hero: In one corner, The Expendables, an old-fashioned 1980s-style action-fest drenched in testosterone, adrenaline and blood; in the other corner, Scott Pilgrim vs. the World, starring Michael Cera as a geeky slacker with mad video-game-style combat skills.
Where I am
As I write these words Suz and I are listening to the whooshing sounds of our unborn baby’s heartbeat on a fetal monitor. Within a few hours, God willing, we’ll be holding our new baby. This is one reason I’ve had less time for writing reviews than usual, though there are others. If you want to know what I thought of The Bourne Legacy or Total Recall, tune in Friday to the penultimate episode of this summer’s “Reel Faith” season.
Where is SDG? (Live Near Phoenix?)
Some readers may have noticed posting at Decent Films has been a little light. I’ve been more than usually busy lately with various things that have kept me from posting here as often as I’d like … On the plus side, for the benefit of readers in Arizona, I’ll be in Phoenix this Friday, November 5, speaking at Xavier College Preparatory at 7:00 pm on behalf of the Emeth Society.
Where is SDG?!
Sorry I neglected to mention this earlier: I’m on vacation with the family this week (with only spotty Internet access!), which is why there’s no Cowboys and Aliens review here at Decent Films. I will be on the first hour of “Catholic Answers Live” tonight, though. And of course there will be a new episode of “Reel Faith” tonight on NET. Both are available online (see the homepage Spotlight box for links).
Where the Wild Things Are (2009)
The Things are potent symbols that refuse to yield to a single interpretation. Carol blends Max’s angry, destructive impulses and anxieties with Max’s mother’s concern and, dimly, the reassuring voice of the father who isn’t there. It’s not hard to see where Carol and KW’s quarrels come from, and KW’s absences are the flip side of Carol’s surrogate fatherhood, but Max’s sister is also in KW, off cavorting with her new friends and leaving Carol, and thus Max, in the lurch.
Which Disney Villain is the Most Evil?
An intriguing question posed to me in another forum: “Who is the worst Disney villain? Mother Gothel in Tangled is bad (kidnapping, brainwashing). The evil Queen from Snow White?”
Whisper of the Heart (1995)
(Reviewed by Sarah E. Greydanus) Even at their most stunningly far-fetched, Ghibli films also have a history of celebrating the details of everyday life: cooking, cleaning, planting, studying, mending, become important and precious functions, worthy of devoted attention … Whisper of the Heart may represent the studio’s simplest gesture of this honoring of everyday life.
Whit Stillman and the discreet charm of the Urban Haute Bourgeoisie
He’s been called “the WASP Woody Allen,” but I prefer my friend Ron Reed’s moniker for Whit Stillman: “the Jane Austen of indie film.”
Why “Star Trek” — and Mr. Spock — matter
The ongoing cultural influence of the “Star Trek” phenomenon is incalculable, and Leonard Nimoy’s contributions are an immense part of that. Nimoy wasn’t just an actor doing a job; in a real sense he was a co-creator who helped to define his character in many ways.
Why a Mel Gibson sequel to The Passion is probably a bad idea
I doubt Gibson is the right filmmaker for the job. First, though, let’s talk about how right Gibson was for The Passion of the Christ.
Why I’m glad The King’s Speech won…
Last night at the Academy Awards, my favorite film of 2010, True Grit, went 0 for 10, winning none of the impressive lineup of nominations it had garnered including best picture, director, actor, supporting actress and adapted screenplay. (Read full Oscar coverage.)
Why is there no religion in The Lord of the Rings?
If The Lord of the Rings is “fundamentally religious and Catholic,” why are there no religious institutions or rituals?
Why Mary Magdalene gets a bad rap
A reader of my review of Mary Magdalene offers an impassioned defense for the medieval Western view of St. Mary Magdalene as a penitent with a notoriously wanton sexual past, a profligate adulteress or harlot.
The Wicker Man (1973)
Is The Wicker Man anti-Christian? Anti-pagan? Anti-religion? Where are its sympathies? Does it have any? Like baffled, blustering Sergeant Howie, blundering about the clannish Summerisle community trying to investigate a missing child, we are asking the wrong questions, assuming the wrong rules, wandering ever further off course, walking into a trap.
The Wicker Man (2006)
What do you get if you take Robin Hardy’s cult classic The Wicker Man, and then take out religion and sex? And folk music? That’s the question writer-director Neil LaBute (Nurse Betty) sets out to answer in his 2006 remake of The Wicker Man. After watching the film, I’m still unsure of the answer.
![Widows [video]](/uploads/articles/widows_vid.jpg)
Widows [video] (2018)
There’s a lot to appreciate about this film from director Steve McQueen and Viola Davis, except the moral universe the film asks us to inhabit for a couple of hours.
Recent
- Crisis of meaning, part 3: What lies beyond the Spider-Verse?
- Crisis of meaning, part 2: The lie at the end of the MCU multiverse
- Crisis of Meaning on Infinite Earths, part 1: The multiverse and superhero movies
- Two things I wish George Miller had done differently in Furiosa: A Mad Max Saga
- Furiosa tells the story of a world (almost) without hope
Home Video
Copyright © 2000– Steven D. Greydanus. All rights reserved.